@doubtingthomas Said Alot of us had the misfortune of watching "The Dark Knight" https://en.wikipedia.org/wiki/The_Dark_Knight_(film) and thinking to ourselfs that the villian in the movie is orginal. I was surfing around the tube today and came across a 80s movie called "The Mean Season" with Kurt Russel. https://en.wikipedia.org/wiki/The_Mean_Season
I was watching the movie and 50% of the movie you hear long tirades from the vilian on how society doesn't care, how its not fair that the hero in the film gets more attention than him. And listening to the way he talks, I could have swarn I heard this before.
Its the same way of talking that "The Joker" portrays. The only thing that was missing was that rediculious tounge twitch. Even down to stories of his childhood. The likeness is uncanny.
Total rip off.
Why so serious?... What next a brand new villian that is a fat old mush mouth gangster that strangly wants to be called "godfather"?
No orignality in movies these days.
Like you I didn't love the Dark Knight - there was nothing really wrong with it, but I was a little bored for some of it. I did adore Heath Ledger's performance; I think the accolades he received were because it was his last, but also - who would ever have thought he had that kind of ability in him? I thought he was surprising & exceptional, and apart from Michael Caine, the only thing worth watching in the film.
I too would be annoyed if I felt a movie did exactly the same thing as something else I'd seen. I haven't seen the movie you mentioned, in fact I have never heard of it, despite being very aware film-wise. I'm sorry it spoilt the experience for you. I have the same 'uuuuuuuuugh' feeling sometimes when I watch a film on TV and I often think: "this has been done before! Surprise me! Delight me! You have all that money to make a movie, how hard can a little originality be?"
Obsessive film fans are hard to impress and I think they should be. Movie audiences get smarter all the time in anticipating plot-lines and script developments because of what they have already seen. Movie production studios need to respond and back films that are inventive, not 'safe' money-makers. I think that true art in film takes a refreshing look at a topic with new eyes, even if it's a film that has been made before.
I have read interviews with scriptwriters in film journals complaining about scripts that are film-worthy that just can never be 'made.' I've read about scripts on-option in the same journals that are supremely brilliant that no major film production company will touch. We have all heard that directors have had to ensure a film company executive 'understands' a film before it can be made. The best films made these days do not patronise an audience, but that's a risk that most film execs won't take.
I read somewhere that there are really only 24 possible sources of conflict for humans in their life and that script-writers work from those 24 principles. It must get harder and harder to be inventive, especially because audiences are more demanding of originality.